Wednesday, November 13, 2019
Analysis of the Chase Scene in Blade Runner Essays -- Film, Movies
       The chase scene is a key part of the film as it influences the     viewer's overall opinion of the main character, "Roy". Throughout the     film "Roy" is interpreted as the "villain" and "Deckard" seen as the     "hero". However this scene creates sympathy for "Roy" and portrays him     as a saviour figure. Ridley Scott, the director, does this using a     range of technical, cultural and symbolic codes. These are the     semiotic codes this essay will explore.       Technical codes are the use of technical techniques used to create a     certain atmosphere, mood or feeling. For example a Blue Filter is used     to set a melancholy feel putting forward the image of "Roy" having     "the blues".          Cultural codes are themes or techniques used in media that are linked     in some way to: religion, culture, events in history or previously     published books and films (media). An example would be Ridley Scott's     use of neon signs (TDK), behind "Roy" at the end of the chase scene.     This suggests links with Tokyo, a main focal point for manufacturing     goods.         Symbolic codes use words, objects and images to represent a certain     emotion or idea. In this case their main purpose is to provoke     sympathy. An example would be "Roy's" black Nazi style coat     symbolising/portraying him as an evil character.         To begin the scene, the mood is set by a blue filter. This is a     technical code: provoking the emotion of sadness. This effect creates     sympathy for "Roy" because the atmosphere is dismal and melancholy.     Likewise the establishing shot is in soft focus, another technical     code creating a gentle, calm mood, which contrasts with the violence     later to come. These two techniques toget...              ...s meanwhile show he feels yet again as a human does and     hence the viewer relates to "Roy" and therefore empathises with him.       Finally he dies and a dove flies away out of his hands, representing     peace and "Roy's" soul. But does "Roy" have a soul? This is one of the     many rhetorical questions the viewer is left to think about. It is not     a spoken question, it is an open-ended sign, there is no limit the     audiences' interpretation; it is a mere guide to their emotional     response.       To conclude I think the piece is extremely successful in making the     viewer feel sympathy for "Roy" through each semiotic code. The issues     raised about "Roy" through these leave the viewer in suspense with     unanswered questions like: Was "Roy" programmed to have emotional     responses? What are his rights? Maybe he was man made. But aren't we     all?                        
Subscribe to:
Post Comments (Atom)
 
 
No comments:
Post a Comment
Note: Only a member of this blog may post a comment.